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Shoot the Family Situation Comedy: Humor in Recent Art What Sound Does a Color Make? Will Boys Be Boys?
Questioning Adolescent Masculinity in Contemporary Art Likeness: Portraits
of Artists by Other Artists 100 Artists See
God The Paper Sculpture Show Mark Lombardi:
Global Networks Thin Skin: The Fickle Nature
of Bubbles, Spheres, and Inflatable Structures UnNaturally Walk Ways Everything Can Be Different The Gift: Generous Offerings,
Threatening Hospitality My Reality: Contemporary
Art and the Culture of Japanese Animation Pictures, Patents, Monkeys,
and More . . . On Collecting Telematic Connections:
The Virtual Embrace Almost Warm & Fuzzy: Childhood
and Contemporary Art Beyond Preconceptions:
The Sixties Experiment Painting Zero Degree Irish Art Now: From the
Poetic to the Political Lee Krasner Power of the Word Contemporary Art from Cuba:
Irony and Survival on the Utopian Island The People’s
Choice Judy Pfaff (U.S. entry to 24th São Paulo Bienal) At the Threshold of the Visible: Minuscule and Small-Scale Art,
1964–1996 do it Making It Real David Smith: Medals for Dishonor Embedded Metaphor Content and Discontent in Today’s Photography Critiques of Pure Abstraction Meret Oppenheim: Beyond the Teacup Multiple Exposure: The Group Portrait in Photography Image and Memory: Latin American Photography, 1880–1992 Monumental Propaganda Transformers After Perestroika: Kitchenmaids or Stateswomen Empty Dress: Clothing as Surrogate in Recent Art The First Generation: Women and Video, 1970–1975 Dark Decor Drawn in the Nineties From Media to Metaphor: Art About AIDS Good Stories, Well Told: Video Art for Young Audiences Departures: Photography, 1923–1990 No Laughing Matter Contemporary Illustrated Books: Word and Image, 1967–1988 Eye for I: Video Self-Portraits Imágenes Líricas/New Spanish Visions Points of Departure: Origins in Video Team Spirit Through the Path of Echoes: Contemporary Art in Mexico A Different War: Vietnam in Art Eternal Metaphors: New Art from Italy The Presence of Absence: New Installations Acceptable Entertainment Hybrid Neutral: Modes of Abstraction and the Social Line and Image: The Northern Sensibility in Recent European Drawing The Analytical Theatre: New Art from Britain Ancient Inspirations: Six Figurative Sculptors Modern Redux: Critical Alternatives for Architecture in the Next
Decade Morality Tales: History Painting in the 1980s The Success of Failure After Matisse Video Transformations The American Experience: Contemporary Immigrant Artists Large Drawings Points of View: Four Painters Tradition and Conflict: Images from a Turbulent Decade, 1963–1973 Drawings: After Photography From the Collection of Sol LeWitt Indiana Influence Part I: William H. Gerdts; Part II: Verbally Charged Images Concepts in Construction: 1910–1980 New Sculpture: Icon and Environment Sculpture from Germany The End of the Road: Vanishing Highway Architecture in America Texas on Paper Art Materialized: Selections from the Fabric Workshop CAPS/ICI Traveling Video Festival Ezra Stoller: Architectural Photographs (1981–83) Mapped Art: Charts, Routes, Regions Metropolitan Container of Art (1981) Some Color Photographs American Images: New Work by Twenty Contemporary Photographers Collaborations and Amplifications Masks The Photograph as Artifice Supershow! Artists’ Books U.S.A. Numerals: Mathematical Concepts in Contemporary Art The Sense of Self: From Self-Portrait to Autobiography The City Project New Work/New York American Pop Art and the Culture of the Sixties Art in Landscape Language and Structure in North America MC=E2 (1976–77) Photography: A Representative Survey Ralph Eugene Meatyard: A Retrospective Video Art U.S.A. (U.S. entry to 1976 São Paulo Bienal)
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