Curated by Harrell Fletcher and Jens Hoffmann

This innovative project proposes an alternative model to the standard contemporary art biennial, aiming to recognize the talent and unique expression that is present within many communities. At the same time, the openness of this model is intended to reflect upon the often exclusionary and insular nature of contemporary art. Collaborating in partnership with five art centers across the U.S. over a two-year period, the curators will participate in a series of workshops and public events, leading to an exhibition of work by local artists.
Curated by Sara Krajewski

How are artists using clipped, copied, grabbed, or downloaded images, and what do such artistic positions relate to the viewer vis-à-vis the work? How do such synthesized images operate in visual culture? Do these works critique our media-saturated age or are they only symptomatic of it? What can these processes and these composite images tell us about the state of photography today? These are just some of the questions explored in this exhibition.
Curated by Martha Wilson and presenting venue's curator

Intended as an evolving retrospective, this exhibition encourages collaboration between curator(s) at each presenting institution and the artist Martha Wilson to select works from overlapping stages of Wilson’s career that suit their own local collections and audiences. Selections may include examples of her conceptually-based performances, videos, and photo-texts, or her work as director of Franklin Furnace, her activities in DISBAND, or her role as a founding member of the Guerrilla Girls.