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Full Circle (formerly Ring Modulation), 1978
Single-channel video with sound (still image above)
Courtesy Netherlands Media Art Institute, Montevideo/Time Based Arts, Amsterdam

In Full Circle, Hill constructs a dialogue between sound and image, devising analogies between linguistics and electronic phenomena. The screen is divided into three sections: a close-up of hands bending a metal rod into a circle; a full view of this figure; and an electronically generated circular image created by Hill’s vocalization of an “Ah” sound.