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Catalogue cover image: Lynda Benglis working with
poured pigmented latex for project commissioned by
the University of Rhode Island, Kingston, 1969

Events in New York City

High Times, Hard Times: New York Painting 1967-1975
A traveling exhibition that explores a time of radical new directions in abstract painting
February 15 - April 22, 2007
National Academy Museum
1083 Fifth Avenue at 89th Street
New York City

Public Programs

Tuesday, April 10, 2007, 6:30 - 8:00 pm
High Times, Hard Times: Painting and Politics in New York City, 1967-1975
A panel discussion moderated by exhibition curator Katy Siegel with Howardena
Pindell, Anna Chave, Robert Pincus-Witten, and Jack Whitten
The New School, Theresa Lang Community and Student Center
55 West 13th Street, 2nd floor
New York City

Admission: $8, free for all students, New School faculty, staff, and alumni with valid ID; as well as members of iCI, the National Academy Museum, and National Academicians

A panel discussion on issues of politics, race, and feminism in the art world as they emerged during the mid-’60s when, influenced by social change and the burning political issues of the day, artists such as Jo Baer, Lynda Benglis, Mary Heilmann, Yayoi Kusama, Lee Lozano, Howardena Pindell, Alan Shields, and Richard Tuttle created works of great joy, passion, fury, and imagination, expanding conventional concepts of what “painting” could mean. The panel will also look at the repercussions today of that historical moment of exuberance forty years ago, when painting escaped the confines of a prescriptive modernism.

Panel discussion is organized by the Vera List Center for Art and Politics, iCI, and the National Academy Museum.

Moderator:
Katy Siegel is associate professor of art history and criticism at Hunter College, City University of New York, teacher at the CUNY Graduate Center and Yale University, contributing editor of Artforum, and curator of the traveling exhibition High Times, Hard Times: New York Painting 1967-1975. Co-author with Paul Mattick of Art Works: Money (2004), she has written widely on modern and contemporary art, including catalogue essays on Bernard Frize, Jeff Koons, Takashi Murakami, Dana Schutz, Richard Tuttle, and Lisa Yuskavage.

Panelists:
Anna Chave is professor of art history at Queens College and The Graduate Center, City University of New York. She has published numerous articles on women artists, including Georgia O’Keeffe, Eva Hesse, and Agnes Martin, as well as books on Mark Rothko and Constantin Brancusi. She is particularly known for her writings on Minimalism, “Minimalism and the Rhetoric of Power,” (1990), and “Minimalism and Biography,” (2000), and for bringing a feminist approach to the interpretation of abstract art.

Robert Pincus-Witten is an art historian, critic, and professor emeritus at Queens College and The Graduate Center, City University of New York. An anthology of his essays, Postminimalism (1977), came to name a new style of art; other collections of his essays are Entries (Maximalism) (1983) and Eye to Eye, Twenty Years of Art Criticism (1984).

Howardena Pindell is an artist, curator, writer, and professor at Stony Brook, State University of New York, whose work is currently part of the exhibition High Times, Hard Times: New York Painting 1967-1975. Pindell is also a former curator at the Museum of Modern Art in New York. Recent solo exhibitions of her work include Howardena Pindell at the Tubman Museum in Macon, Georgia, in 2002, and Howardena Pindell: Hidden Stories, which recently closed at the Louisiana Museum of Art and Science in Baton Rouge, Louisiana.

Jack Whitten is an artist whose work is currently in High Times, Hard Times: New York Painting 1967-1975. Whitten grew up in Alabama and moved to New York in 1960 to study at Cooper Union. He has been the recipient of fellowships and grants including the National Endowment for the Arts Individual Artist’s Fellowship, the Solomon R. Guggenheim Fellowship, and the Joan Mitchell Foundation Grant. Among his exhibitions in New York, Whitten has had a solo show at the Whitney Museum of American Art in 1974 and ten-year retrospective at the Studio Museum in Harlem in 1983.

 

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Artists in Exhibition
Jo Baer
Lynda Benglis
Mel Bochner
Dan Christensen
Roy Colmer
Mary Corse
David Diao
Manny Farber
Louise Fishman
Guy Goodwin
Ron Gorchov
Harmony Hammond
Mary Heilmann
Ralph Humphrey
Jane Kaufman
Harriet Korman
Yayoi Kusama
Al Loving
Lee Lozano
Ree Morton
Elizabeth Murray
Joe Overstreet
Blinky Palermo
Cesar Paternosto
Howardena Pindell
Dorothea Rockburne
Carolee Schneemann
Alan Shields
Kenneth Showell
Joan Snyder
Lawrence Stafford
Pat Steir
Richard Tuttle
Richard Van Buren
Michael Venezia
Franz Erhard Walther
Jack Whitten
Peter Young