 |
|
|
|
|
|
 |
|
||||
 |
 |
 |
|
||
 |
|
||||
 |
|
||||
 |
|
||||
 |
|
||||
 |
|
||||
 |
|
||||
 |
|
||||
 |
|
||||
 |
|
||||
 |
|
||||
 |
|
||||
 |
|
||||
 |
|
||||
 |
|
||||
 |
 |
 |
|
||
 |
 |
|
|||
 |
|
||||
Jennifer and Kevin McCoy, Vice Presidential Downtime Requirements (formerly titled Band Rider Series: Dick Cheney), 2008, in The New Normal; installation view, Artists Space, New York, 2008.
Click on the exhibition name for more detailed information Phantasmagoria:
Specters of Absence Jess: To and From te Printed Page Beyond Green: Toward a Sustainable Art Space Is the Place High Times, Hard Times:
New York Painting 1967–1975 Shoot the Family Situation Comedy: Humor in Recent Art The Paper Sculpture Show What Sound Does a Color Make? Will Boys Be Boys?
Questioning Adolescent Masculinity in Contemporary Art Likeness:
Portraits of Artists by Other Artists 100 Artists See God Mark Lombardi:
Global Networks Thin Skin: The Fickle
Nature of Bubbles, Spheres, and Inflatable Structures UnNaturally Walk Ways Everything Can Be Different The Gift: Generous
Offerings, Threatening Hospitality My Reality: Contemporary
Art and the Culture of Japanese Animation Pictures, Patents,
Monkeys, and More . . . On Collecting Telematic
Connections: The Virtual Embrace Almost Warm & Fuzzy:
Childhood and Contemporary Art Beyond Preconceptions:
The Sixties Experiment Painting Zero Degree do it Irish Art Now: From
the Poetic to the Political Lee Krasner Power of the Word Contemporary Art from
Cuba: Irony and Survival on the Utopian Island The People’s
Choice |
